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The Strangeness of Dub

Distance I: A King Tubby Special

Programme Four

Distance I: A King Tubby Special


Dub is strange. A musical process and a sub-genre formed in the early 1970s and pioneered by Clement Dodd, Sylvan Morris, Lee Perry, King Tubby, Scientist, Jah Shaka and The Mad Professor, dub takes place through a kind of violence, an act of reducing archival audio documents to fragments and traces, yet is associated, in its sound system context, with communal reverie and meditative states.


A marginal music and a music of margins, first and most enduringly located on the ‘b side’, the underside, of phonographic recordings, dub is a sub genre of reggae music, subordinate and secondary to song-writing, musical performance and recording. And yet more so than reggae song writing, vocal or musical performance, dub’s influence reverberates across other genres of electronic music, even while never quite comprising a genre of its own.


Dub is also a sonic process, a way of making new music from existing music that is always present in all forms of electronically recorded music, as that which is waiting to be excavated and discovered for the first time. You can hear dub process in late 20th century and 21st popular electronic dance music, in the 80’s hip hop productions of Marley Marl and the Bomb Squad, in the techno of Basic Channel and Mika Vaino, in dubstep and drum and bass, and you can hear its conceptual pre-figurations in jazz and the avant garde music of Cage and Stockhausen.


And yet, in spite or perhaps because of its broad cultural resonance, dub has at its heart a concern with ideas of emptiness and silence, being and presence, space and repetition, and these ideas intersect with themes, especially in reggae, of Diaspora, and ‘race’, history and memory, longing and loss.


Join Edward George, on a journey into reggae, dub, versions and versioning that draws on critical theory, social history, a deep and wide cross-genre musical selection, and live dub mixing.


Edward George is a writer, researcher, and presenter of Black Audio Film Collective’s ground-breaking science fiction documentary Last Angel of History. Edward is a founder of Black Audio Film Collective (1982-1998), the multimedia duo Flow Motion (1996-present), and the electronic music group Hallucinator (1998-present).



1. King Tubby’s Hometown HIFI, Kingston, Jamaica 1975 – King Tubby & U Roy
2. King Tubbys meets Rockers Uptown – Augustus Pablo
3. Rockers meets Sly in a channel Dub – Augustus Pablo
4. Money Dub – King Tubbys and the Aggrovators
5. Politician (version) – The Aggrovators
6. Blood Version – Uncredited
7. Golden Skank – The Myrna Townsend All Stars
8. Mozambique – Jah Wally Stars
9. Must Go Home Dub – The Aggrovators
10. On The Sea – Bailey’s All Stars
11. Greetings – Tommy & King Tubbys
12. Warn The Nation (Version) – Uncredited
13. The Righteous Way (Version) – Uncredited
14. Assack Lawn Number One Dub – Sylford Walker, Glen Brown, Gods Children Band
15. Untitled – Rockers All Stars
16. Nice Up The World – Rockers All Stars
17. Psalms of Dub – King Tubbys
18. Freshly (Version) – Uncredited
19. Under Tight Raps – Dillinger
20. Straight To Jackson’s Head – The Aggrovators
21. King Tubby’s In Fine Style – King Tubbys
22. African Style – Uncredited
23. Beware (Version) – Uncredited
24. Myrie & Pablo Skanking – Rockers All Stars
25. Chains Dub – Rockers All Stars
26. Bowla Skank – Glen Brown Music
27. Dub In African – Gods Children Band