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The Imposters Club

How do we recover from the #girlboss culture

The Imposters Club
Season 5 Episode 2: How do we recover from the #girlboss and hustle culture?

 

The Imposters Club returns for our 5th season, and this time we’re talking WORK. Sinéad’s pivoting her career, Melissa’s returning from maternity leave and the whole world is talking about how we can work better.

 

Let us take you on a little trip down memory lane. It’s 2014: we’re trying to get our foot on the professional ladder, tentatively calling ourselves feminists, and holding an Urban Outfitters mug that says ‘you have the same 24 hours as Beyoncé’. It is the era of the #girlboss. How did she shape the professional ambitions of a generation of young women? Has hustle culture burnt us out? And with time of death officially called on the Girlboss in 2020, what do we do with that vision of work now?

 

In this episode we’re joined by Seyda Karimpour, founder of Seasons of Work, a community platform for multi-passionates who want to push back against hustle culture and find their own rhythm in work and life.

 

Follow Seyda Karimpour and Seasons of Work on Instagram @seydakarimpour @seasonsofwork

 

Learn more about Seasons of Work

 

The Imposters Club is a Morley Radio production. Head to morleyradio.co.uk to listen to The Imposters Club and a whole host of exciting shows.

 

Credits:
Presenters: Sinéad Kennedy Krebs and Melissa Murdock
Editor & Studio Manager: Camilo Salazar at Morley Radio

PR & Brand Partnerships Producer: Georgie Rutherford

 

We’d love to know about how you’re helping yourself feel good enough and choosing what’s good enough for you. Email us at theimpostersclub@gmail.com, contact us on instagram @theimpostersclub or on twitter @impostersclub, and visit theimpostersclub.co.uk. Head to wherever you get your podcasts and give us a 5 star rating – it helps other people find us!

 

Articles cited:
‘The death of the girlboss’, Alex Abad-Santos, Vox
‘The Girlboss Is Dead. Long Live the Girlboss.’, Samhita Mukhopadhyay, The Cut