Search all showsProgramme Fifteen
Impressions
Dub is strange. A musical process and a sub-genre formed in the early 1970s and pioneered by Clement Dodd, Sylvan Morris, Lee Perry, King Tubby, Scientist, Jah Shaka and The Mad Professor, dub takes place through a kind of violence, an act of reducing archival audio documents to fragments and traces, yet is associated, in its sound system context, with communal reverie and meditative states.
A marginal music and a music of margins, first and most enduringly located on the ‘b side’, the underside, of phonographic recordings, dub is a sub genre of reggae music, subordinate and secondary to song-writing, musical performance and recording. And yet more so than reggae song writing, vocal or musical performance, dub’s influence reverberates across other genres of electronic music, even while never quite comprising a genre of its own.
Dub is also a sonic process, a way of making new music from existing music that is always present in all forms of electronically recorded music, as that which is waiting to be excavated and discovered for the first time. You can hear dub process in late 20th century and 21st popular electronic dance music, in the 80’s hip hop productions of Marley Marl and the Bomb Squad, in the techno of Basic Channel and Mika Vaino, in dubstep and drum and bass, and you can hear its conceptual pre-figurations in jazz and the avant garde music of Cage and Stockhausen.
And yet, in spite or perhaps because of its broad cultural resonance, dub has at its heart a concern with ideas of emptiness and silence, being and presence, space and repetition, and these ideas intersect with themes, especially in reggae, of Diaspora, and ‘race’, history and memory, longing and loss.
Join Edward George, on a journey into reggae, dub, versions and versioning that draws on critical theory, social history, a deep and wide cross-genre musical selection, and live dub mixing.
Edward George is a writer, researcher, and presenter of Black Audio Film Collective’s ground-breaking science fiction documentary Last Angel of History. Edward is a founder of Black Audio Film Collective (1982-1998), the multimedia duo Flow Motion (1996-present), and the electronic music group Hallucinator (1998-present).
Produced by Edward George and Camilo Salazar for Morley Radio
Tracklist:
Bob Marley & The Wailers – Them Belly Full (But We Hungry)
Duke Ellington & His Famous Orchestra – Chelsea Bridge
Walter Gieseking – Golliwog’s Cakewalk
Walter Gieseking – Le Petit Negre
The Montreal Symphony Orchestra – La Boite A Joujoux
Walter Gieseking – Minstrels
Walter Gieseking – General Lavine – Eccentric – Dance The Style And The Movement Of A Cakewalk
The Slovak Sinfonietta Zilina – Life Is A Dance, Or The Dance Is Life
Victor Concert Orchestra – Spring Song
Josef Bulva – Hungarian Rhapsody No.2
Hambone Willie Newbern – Roll And Tumbling Blues
Robert Johnson – If I Had Possession Over Judgement Day
Adrienne Soos & Ivo Haag – Printemps (Version For Piano, Four Hands): 1. Tres Modere
John Coltrane – Impressions
The Skatalites & King Tubby– Rock Bottom
The Skatalites & King Tubby – Bottom Dub